BADBADNOTGOOD

I must admit: I don’t know that much about this band but from what I’ve heard so far, I’ve enjoyed.

A versatile outfit, first making a name for themselves reworking classic hip hop songs from the likes of Nas, their talent has now reached heights of twitter stardom via Trump’s tweeting. They created a satircal music video with Snoop Dog that contained a scene where Trump is “shot” using a fake gun that shoots a blank. Trump was clearly not happy about this, so much so, that he had to rescind his duties momentarily as the leader of the free world to address this problem by tweeting the band and Snoop Dog.

I like these guys because they’re fresh, jazzy and not afraid to take risks- refusing to be pigeon holed into a specific genre. That’s what I gathered through listening to their album IV. Check their NPR tiny desk concert below, watch for when they bring on Charlotte Day Wilson around the 9 minute mark, trust me!

 

 

 

Trump doesn’t want you to listen to this music

As most of you are probably aware, President Trump signed an executive order that essentially banned travel to the US from seven majority Muslim states including Syria, Somalia, Iran, Iraq, Sudan, Yemen and Libya. In the last few days, there have been protests around the world calling for the removal of the ban. Luckily, the order was retracted by a US judge.

We are living in an increasingly divided society with divisions created from cleavages such as class, race and gender. In turbulent times like this, turning towards music is not such a bad idea. The power of music is its ability to draw together individuals from all walks of life. Whether that be celebrities like David Bowie or Bjork dancing with club revellers to drum and bass in the dimly lit basement rooms of Blue Note in the 90s- to watching Ata-Kak, a Ghanaian artist who has recently seen success in the West after spending a period of 25 years in the shadows- music unites us all. I will take this opportunity to list a few artists, labels, mixes that I think you should check out.

The Orchestra of Syrian Musicians

First, lets take a look at the Orchestra of Syrian Musicians, an amazing and talented group of 50 odd musicians who have been performing together for more than a decade. Eight years ago they had the opportunity to tour around the world with Damon Alborn and were even featured in the Gorrillaz track ‘White Flag’. Since then, the reality of the Syrian civil war meant that they have been scattered around the world. It was only until 2016 when they would be fully reunited with each other again. They performed at Glastonbury where I could hear them from my tent allowing for a great start to the day. The story of the Syrian Orchestra reuniting is heartwarming and does well to demonstrate the universal language of music. Below I have linked a video of Faia Younan, lead singer of the group giving a mesmerising performance.

 

Omar Suleyman (Syria)

Omar Souleyman, perhaps the most intriguing and inspiring story of an artist from a Syrian village who’s traditional form of Dabke music has proved to be a success across the globe. Originally a wedding singer in the northwest of Syria— Omar Souleyman’s craft has now seen him perform at festivals around the world and events like the 20th Nobel Peace Prize Concert in Sweden. Artists such as Caribou and Four Tet have provided him with platforms to play his music whilst also producing for him too. The outpouring of love Omar Souleyman has received is again further proof that music has no borders.

Dur Dur Band (Somalia)

A musical group formed in Somalia in the 80s during Mogadishu’s flourishing creative and musical scene, this outfit performed regularly around the horn Africa. Their music is full of funk and features soulful interjections. The instability caused by the civil war had meant that in 1990, the members left Somalia which had meant that the band was disbanded. The good news is that Awesome Tapes from Africa or Canadian Brian Shimkovitz has re-released their original 1987 cassettes on his music on his record label. Since then, their music has received critical acclaim— it’s hard not to enjoy this.

 

Radio Garden (global)

 

Every time you spin the globe on this website, Trump dies a little. Radio Garden is a fantastic project funded by the Netherlands Institute of Sound and Vision. This genius website allows users to listen to any radio station from around the world. It features stations from all the seven countries Trump arbitrarily has an issue with. The last station I listened to was in Tblisi, Georgia where the DJ was playing Dizzee Rascal— you can have endless fun with this. Check it out here radio.garden/live/

Jakarta Records (Sudan, Libya, Yemen)

I have always been a big fan of Jannis’ series of Habibi Funk mixes. Jannis, a DJ based in Berlin often goes on trips to Africa or the Middle East to find and collect tapes and records to add to his ever-growing repository. It makes sense then, that he has a few words to say about the ban list.

In his own words:

Just 2 days ago I was sitting in a cafe during my recent trip for Lebanon and Egypt when Donald Trump announced his ban of muslim people visiting the USA marking another climax of xenophobia, anti muslim and anti Arabic narrative (الترجمة العربية أسفله). At the same time I was in Cairo, a colorful, energetic and vital city that despite the cities and countries problems has not much in common with the stereotypical narrative of the Arabic world that is so largely told in the Western media. I’m aware that in times of these music is just a tiny piece of the puzzle to tell a different story but given that this is what I’m working with I felt it was the right time to drop another mix of music from Arabic tapes, vinyl and master tapes. Music that is very different to what a lot of people might expect.

To wrap up I will point out a couple of different platforms and outlets that will allow you to discover gems from across the world whilst raising Trump’s blood pressure at the same time. There’s Worldwide FM, a radio station recently launched by radio 6 DJ Gilles Peterson and boiler room co-founder Thirstian. Record labels like Folkway Records and Strut Records are all uniquely impressive. By sharing this music you are utilising the power of music. Specifically, its ability to unite cultures from around due to the inescapable fact that we all enjoy dancing to a cool beat. Happy listening.

Sounds can be deceiving

In keeping with posting absolutely amazing tunes to get you through that morning commute, lunch break or late night walk, I present you Quentin- John Talabot x Marc Pinol’s latest venture off Hivern! If you’ve got a spare moment, check out the B side too.

 

Listen to radio from around the World

Ever wondered what songs are being broadcasted across the world? I have had far too much fun playing around with this site in the last few days.

So far I’ve come across a radio station in Tblisi, Geogia playing Dizzee Rascal and a station in Germany playing a version of their own Trevor Nelson’s soul show. Not much in the way of Christmas songs it seems!

The website even has a ‘history’ section, allowing you to listen to important radio broadcasts from previous years. With more than 8,000 stations to pick from around the world, the station brings a whole new meaning to the word ‘worldwide music’.

Merry Crimbo.

 

http://radio.garden/

 

An interview with Nubiyan Twist

Interview originally taken on June 1st, 2015 and published on circulation magazine

Out in the rural depths of Oxford, I catch up with local talent Nubiyan Twist. Sat on the couch in their quirky straw bale studio, Seb a friend of the band sets up the mood in the room with an African harp, kora, playing in the background.

Having met at the Leeds College of Music, the band consisting of eight members was eventually turned into a twelve-piece group. Putting forth a worldly sound that fuses afro-beat, hip hop and dub, Nubiyan Twist has come to fearlessly mix genres to create their unique sound. The brass section and funk strumming guitars echoed throughout their material give their tracks a familiar Fela-era afro-beat sound. With such a vast palette of music found in their singles, I was led to ask Joe whether Leeds as a city played its part in nurturing and developing their one-of-a-kind sound. “One of the biggest factors of how we developed our sound was because of the exciting music scene in Leeds, from reggae night called ‘Sub Dub’ to venues playing whacked out experimental jazz. Leeds felt like a place where everyone was listening or playing music”

Last year, the band supported Quantic at XOYO, getting more exposure as a band. “We had to learn how to fit on probably the smallest stage”, Joe joking stated when asked whether this was a big learning experience for the 12-piece band. He continued: “It was cool, because Quantic has been a massive inspiration for our producer and musical director Tom.” The influence of this salsa, funk and soul mixing producer can clearly be heard in Nubiyan Twist’s tracks like “Straight Lines” and “Shake Me Down”.

A large part of the band is its brass section, consisting of three saxophones, a trombone and a trumpet. Interestingly, the band also features a scratch DJ, Tom Davison. Intrigued by Davison’s role in the band, I was curious to find out how big of a part he has in the band. “He sets off triggers for parts that we can not have live. There is a cello part in “Figure Numatic” done by Emma who unfortunately can not tour with us. This goes for some of the percussion, too. Turntablism for live hip hop is sick.”

Still fascinated by the size of the group, I was wanted to get a better understanding of how they approached composing new songs as a band. “We rarely have a proper writing session with all of us together. We write our own bit and send it across. Some of the tunes have more of an influence from other members of the band and some are literally his Uni project. ‘Figure Numatic’ is Tom’s brainchild.”

Nubiyan Twist’s vocalist Nubiya Brandon effortlessly combines rapping and singing in tracks like “Figure Numatic” and “Workhouse”, the latter one containing soulful interjections with rap verses from Nubiya that seamlessly flow in the band’s latest release. I probed into whether or not we will see a continuation of this in their next album release to which Joe enthusiastically responded: “I personally love Nubiya spitting (rapping) rather than singing. Don’t get me wrong, she’s got a gorgeous voice but when she hits the nail like in “Figure Numatic” she leads the way with those hard hitting bars.” The band also reveals that there’s a collaboration with Kweku looming in the future: “He is an amazing singer and we are going to get him featuring on a song.”

The nonchalant playing of the kora comes to an end as I wrap up the interview. With an upcoming album release and a strong foundation of quality songs, Nubiyan Twist’s refreshing sound is definitely worth a listen.

Why I started this blog

For any of you guys that know me, I am a big lover of music. I spend a large chunk of my life listening to it. In the shower, on my way to work, and even whole evenings just spent indulging in it. The question that I could never quite answer though is: what kind of music are you into? I usually answer this question with the same facial expression of a deer in the headlights followed by a “a bit of everything really”. A lackluster answer that usually elicits of a response of a) “you can’t really listen to everything” and b) “can you expand?” This blog is an attempt to help bring people closer towards my ever progressing musical journey. I hope you’ll enjoy this blog as much as I enjoy working on it.

What you will find here is a complete spectrum of genres. Look away now if you’re looking for a particular sound, this isn’t the place for you. My musical tastes are reflective of the journey I have been on, one with variance and diversity. From bluetoothing grime tunes on my high school playground with the once ubiquitous blackberry curves to getting gassed when a hot F64, Fire in The Booth or watching Channel U (RIP) on Sky in my local barbershop— grime was everywhere. “Did you listen to that diss track from Lowkey”, “Can you believe Chipmunk was the number one MTV seed”, these are facets of conversation that you would probably catch in a London high school playground in 2005-2010. If you wanted to find out which artist was big, a trip to the back of the top deck of a bus in London during the school run would answer your question as you would be met with some boys blaring the latest grime tunes from their tinny phone speakers. It was this setting which acted almost like a forum for us kids. Debates would range from deep questions on whether newly turned mainstream grime artists were genre pushers or sell outs: “Chipmunks moist now doing all this pop stuff, he used to be sick”, to more juvenile and light-hearted  piss taking of MCs: “Have you seen the music video to Skepta’s ‘all over the house?! he’s fallen off’ (ironic that)”. A hilarious watch that I would link but the only remaining links are from X rated sites…

UK bass music in the form of UK funky, garage and grime was a talking point and for a long time, everyone at my school listened to it, all my friends listened to it and I was blissfully unaware that other forms of music existed. That was until I started listening to Drum and Bass whilst at sixth form. Introduced to the genre by my friend who was a hardcore drum and bass fan, I learnt to appreciate very early on Ram record classics like body rock and the first ever jungle track. Having been given a solid grounding and appreciation of the history and make up of Drum and Bass, a move towards contemporary drum and bass was only natural. The day I turned 18 marked a serious change in the way I expressed my admiration for the genre. Gone were the days of going to dodgy as hell squat raves and free parties playing mostly psy-trance in some industrial setting in Brent Cross with the overhanging risk of the police shutting it down (whatever happened to them?) I could now enjoy Fabric Fridays, a pariah for all drum and bass heads around London. Many a Critical, Ram, and Metalheadz nights and memories were had there.

Me holding Harry’s Fabric First card

I don’t listen to either UK bass, grime music or drum and bass as much as I used to but the genres still have a special place in my heart. It’s what I grew up in my teen years listening to. The music I listened to back then set up the bassline to the music I rotate around now: electronic, hip hop, r&b house, techno and world music.

Below I will link various musical projects/ blogs that friends of mine have undertaken or are involved with. Do check them out!

Benjy Hollis, Demi Douzaine d’Huîtres (house, techno)

Mantas, Animaux (techno)

Katie Williams, Petite Beats (electronic, house)